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# Monica Perez Vega

Contemporary Artist | My Life in Trees

## Sitemaps

- [XML Sitemap](https://www.monicaperezvega.com/sitemap.xml): Contains all public & indexable URLs for this website.

## Posts

- [Giant Sequoia in Epping Upland](https://www.monicaperezvega.com/giant-sequoia-in-epping-upland/) - Last Saturday, while planning my first visit to Epping Forest, I had a little look at the Woodland Trust Ancient Tree Inventory, (ATI) and stumbled onto a Giant Sequoia living not far from me and with public access. I decided this was the perfect detour and informal launch to my project. I was actually a Giant Sequoia in Epping Upland
- [Epping Forest](https://www.monicaperezvega.com/epping-forest/) - After visiting my baby Giant Sequoia in Epping Upland, I headed off to explore Epping Forest for the first time. I didn't feel like this was the official launch of my project, rather just a little delve into my local surroundings. Therefore, I didn't use the ATI to seek out a specific tree, but I
- [Dispatches from the Sloppy Chemist](https://www.monicaperezvega.com/dispatches-from-the-sloppy-chemist/) - Ok... I wasn't sure I would publish this post because it's actually so embarrassing- my absolute ignorance in the field of pigment-making. I know there's a lot of people who have been doing this for a long time, that I feel silly even trying. It's part of what deterred me for so long- thinking what's
- [Pine Cone Ink](https://www.monicaperezvega.com/pine-cone-ink/) - After a sloppy and amateur start last week... I feel I redeemed myself slightly with my Sequoia pine cone ink this week. I just boiled them with soda crystals. I roughly tried to follow measurements I found online and record my process. I think I was getting a little confused between making ink or pigment
- [Accidental Sunflower Ink](https://www.monicaperezvega.com/accidental-sunflower-ink/) - I recently discovered some lovely inks after soaking my sunflower seeds in brine for roasting. I left them to soak overnight and was pleasantly surprised by their brilliant pink bath. I took this accidental dye bath to the studio to see what other colours I could get. First, I had to dissolve some gum arabic
- [Wild Plants & the Allotment](https://www.monicaperezvega.com/wild-plants-the-allotment/) - When I first got my allotment in the spring of 2025, I was overwhelmed with what to do with it all and spent most days clearing bramble, levelling the plot, and battling the abundance of weeds. However, the latter was not without conflict. I struggled with the idea of removing wild plants in order to
- [Placrylic](https://www.monicaperezvega.com/placrylic/) - Part of my DYCP research is to find and test existing 'sustainable' paints and when I came across Placrylic, I immediately purchased their starter set, excited by the idea of plant-based sustainable acrylics. I admit, however, that I didn't look too deeply at the website- I just kind of went for it. Yep, looks great,
- [Queen Elizabeth I Oak](https://www.monicaperezvega.com/queen-elizabeth-i-oak/) - Yesterday I ventured out to West Sussex to meet an 800 year old (possibly 1,000 year old) sessile oak tree. The Queen Elizabeth I Oak is a large sessile oak in West Sussex, England. It has a girth of 12.5–12.8 metres (41–42 ft), and is about 800–1,000 years old. In June 2002, The Tree Council designated the Queen Elizabeth I Oak, one of
- [Acorn Husks](https://www.monicaperezvega.com/acorn-husk-ink/) - ...But is it pigment? Is it pigment if I say its pigment? It is a satisfyingly sludgy dark matter that spreads by brush. It dries grey on its own- like watching embers turn to ash, or paints a rich black when mixed with gum arabic. I began by following the recipe in Make Ink: A
- [Bark Paintings II](https://www.monicaperezvega.com/bark-paintings-ii/) - More bark paintings- this time made from the pulpy by-product of the oak gall ink-making process. All painted with natural pigment, including oak gall ink. And this lil guy is made from the pulpy oak gall ink-making byproduct mixed with clay, spread onto the back of a repurposed painting, then painted with natural pigment including
- [The In-Between: A practice in flux](https://www.monicaperezvega.com/the-in-between-a-practice-in-flux/) - During the course of this project, I've been playing with making my own inks and pigments from foraged material such as pine cones, needles, acorn husks and garden/studio waste. My original goal was to create large scale works on paper from these experiments. However, the reality of creating enough ink or pigment to go large
- [Oak Gall Ink](https://www.monicaperezvega.com/oak-gall-ink/) - My first attempt at making oak gall ink. Something I've wanted to try for ages. Knowing my parents go on walks nearly every day back home in California, I asked them (half-jokingly) to collect oak galls, acorn caps and wild grape vine for me. And boy, did they come through! Only took them a couple
- [Church Yews of Shropshire](https://www.monicaperezvega.com/church-yews-of-shropshire/) - I had a lovely day yesterday visiting a few of the ancient Church Yews scattered across Shropshire with my friend (and ink-making mentor) Carolyn Morton. We began by consulting a lovely little artefact provided by ancient-yew.org that documents the Churchyard Yews of Shropshire through the paintings of Rev. Edward Williams, who painted the area's parish
- [Mural at London Graphic Centre](https://www.monicaperezvega.com/mural-at-london-graphic-centre/) - I recently had the absolute privilege to be commissioned by Liquitex to create a mural for the London Graphic Centre to help promote their new line of bio-based acrylics. This serendipitous opportunity stemmed out of my DYCP investigations into a more sustainable practice. What began as slightly terrifying turned into a really fun experience as
- [Liquitex Bio-based Acrylic](https://www.monicaperezvega.com/liquitex-bio-based-acrylic/) - When I saw Liquitex had come out with a new line of bio-based acrylics, I knew I had to try them out. After learning how best to work with them, I was pleasantly surprised by their rich colours and viscosity. Currently marketed as part of the 'heavy-bodied' acrylics, they almost require their own category- as
- [Tree Pigments](https://www.monicaperezvega.com/tree-pigments/) - Back in March, I was given the task to look for and collect Norwegian Maple buds- for their incredible yellow-making ability, by my ink-making mentor Carolyn Morton, in preparation for an upcoming zoom-laking-lesson. (Laking is the process of making a dried pigment from ink). At the time, the budding Norwegian Maples were apparently abundant where
- [Bark paintings](https://www.monicaperezvega.com/bark-paintings/) - After having a go at making pine cone ink, I saved all the waste material to create some paper/biomaterial forms (and threw in some additional studio remnants.) These were made from coffee filters, pine needle pulp, sawdust and coffee grinds. The vertical form has a canvas base that I smushed the paper/bio-pulp into. Both were
- [Distant Heres](https://www.monicaperezvega.com/distant-heres/) - Distant Heres – The Stone Space We are a group of six artists who are currently pursuing an MA/MFA in Painting at the Slade School of Fine Art. We have come together with a shared interest in the idea of place or transience of place. Within each of our practices, there are threads relating to
- [TFAC Residency](https://www.monicaperezvega.com/tfac-residency-at-griffin-gallery-colart/) - During the Easter break, I did a two week residency at Griffin Gallery located in the ColArt headquarters in London. The Fine Art Collective (TFAC) is home to a collective of art material brands such as Windsor & Newton and Liquitex and it was fun to see chemists at work while I painted with their
- [Solo Show at Rob Rademaker Gallery](https://www.monicaperezvega.com/solo-show-rob-rademaker-gallery-art-exhibition/) - My opening was last Saturday 7, March 2015. I had a great turn out. It was great to see all my friends from Utrecht and thankful for those who came from out of town. The show will remain up until 25 April.
- [My Life in Trees](https://www.monicaperezvega.com/my-life-in-trees-book/) - Solo exhibition at the Birmingham and Midland Institute. 1-26 November 2021 Like many, the Covid-19 pandemic lockdown was a time of isolation and introspection. I took the opportunity to reflect on some of the most significant trees throughout my life. Some are memorable simply for their presence, while some mark specific moments or movements. As
- [Material Presence](https://www.monicaperezvega.com/material-presence/) - Material Presence Fitzrovia Gallery 139 Whitfield St, London W1T 5EN Part 1: 15th-20th November Finissage 19th November 12-5pm Part 2: 22nd-27th November Finissage 26th November 12-5pm Material Presence celebrates the work of painters brought together whilst participating in the Turps Correspondence Course. Curated by Lucy Cade, Sarah Jane Hender and Sarah Praill, the exhibition is
- [Autumn Song](https://www.monicaperezvega.com/autumn-song/) - 2-person exhibition at the Malvern Library. AUTUMN SONG a love letter to change 4th November - 29th November 2022 Private View 5th November 12pm - 3pm Malvern Library, WR14 2HU MalvernLib@worcestershire.gov.uk 01905 822722 CAROLYN BLAKE MONICA PEREZ VEGA Carolyn Blake records the non-event in the everyday, bringing to life the inconsequential and non-memorable. Travelling at
- [Ghost Story](https://www.monicaperezvega.com/ghost-story/) - Ghost Story sits in an ambiguous space. Plumes of smoke merge into the forest canopy, blurring trees with sky. Sparks rise in the foreground- is it a cosy campfire or creeping wildfire? This painting is inspired by memories of home; as a child, sitting round the campfire with family, telling ghost stories in the redwood
- [Make a Scene Stamp Kits](https://www.monicaperezvega.com/make-a-scene-stamp-kits-amsterdam/) - Sneak peek at my newest project. A 22 pc mix and match stamp kit- make your own Amsterdam canal scene.
- [Slade Graduate Degree Show](https://www.monicaperezvega.com/slade-graduate-degree-show-2019/) - It's happening. Located in Studio 11 with colleagues Rebecca Connolly and Jin Han Lee. Images from Degree Show: Installation view https://www.instagram.com/stories/highlights/17881370884366185/
- [MFA Degree Show](https://www.monicaperezvega.com/mfa-degree-show/) - MFA Degree Show 2019 Slade School of Fine Art, UCL Photo cred Paolina Varbichkova
- [Liquitex x White Walls](https://www.monicaperezvega.com/liquitex-white-walls-collaboration-art-residency-slade-research-centre/) - My intention with this mural was to create a wall that changes each day; to be always on the verge of becoming something else. I am interested in the blending of natural and “unnatural” space and capturing that which is on the verge of renewal. I knew I wanted to incorporate paper forms that would
- [Merzbarn Residency](https://www.monicaperezvega.com/merzbarn-art-residency/) - I recently returned from the Lake District after a short yet blissful retreat at the iconic Merzbarn in the quaint village of Elterwater. My colleague, Sarah Tew, received a travel grant form Slade and invited me, Jazmin Donaldson and Choe One to spend a few days learning and working in the countryside. I didn't realise
- [How Are You, Babe?](https://www.monicaperezvega.com/how-are-you-babe-group-exhibition-blank-100-london/) - Installation views from exhibition, "How Are You, Babe?" at Blank 100 in London. Featuring works by Alice Morey, Iseult Enright, Madelynn Mae Green, Mew Jirasirikul, Monica Perez Vega, Niloofar Taatizadeh, Paola Estrella, Rayvenn D’Clark, Rosie Gibbens and Yuli Serfaty.
- [Raw Materials: Plastics](https://www.monicaperezvega.com/raw-materials-plastics/) - Bow Arts presents Raw Materials: Plastics at the Nunnery Gallery. Raw Materials explores the forgotten industrial history of plastic in east London around the River Lea. The exhibition reveals the story of east London's central role in the invention and early development of plastics, showcasing some of the very first plastic objects alongside newly commissioned
- ['Fall' Installation at Limbo](https://www.monicaperezvega.com/fall-installation-at-limbo/) - The Limbo exhibition at the Slade School of Fine Art was the culmination of work by recent graduates participating in the Slade Summer Art Education Residency, July 2019. Artists included: Araminta Blue, Jione Choi, Lewis Davidson, Farnaz Gholami, Elena-Andreea Teleaga and myself. During my residency, I created this installation of 'falling leaves' as a reflection
- [Weary Harold](https://www.monicaperezvega.com/weary-harold-group-exhibition-asc-gallery-london/) - Weary Harold Group Exhibition Weary Harold, the Byronic hero from the epic poem, Childe Harold’s Pilgrimage, has been both venerated and ridiculed through the ages for his ambitious longing for adventure, connection and purpose. He travels the world in a quest for meaning beyond life's shallow pleasures yet is often left unfulfilled. Upon discovering relics
- [Schools Showcase at Ikon Gallery](https://www.monicaperezvega.com/hew-locke-schools-showcase-at-ikon-gallery/) - From Jan-Jun 2022, I had been working as an associate artist with Ikon Gallery, facilitating art workshops with students across Birmingham in response to the work of Hew Locke and in celebration of the Commonwealth Games and the public art commission, Foreign Exchange in the city centre.

## Pages

- [](https://www.monicaperezvega.com/) - To the Valley, Staff Room installation as part of the NCCU Redesign at Addenbrooke's Hospital, commissioned by CUH Arts. Installation view, Exeter Contemporary Open 2024, Exeter Phoenix | Photo by Dom Moore |
- [Bark, Skin and Stumps](https://www.monicaperezvega.com/bark-skin-and-stumps/) - Portfolio of sculptures made from reclaimed acrylic sheets, tubes and offcuts. Discarded plastics transformed by heat become tree bark, skin and stumps, referencing California’s fire-scarred redwoods and the ancient yews and oaks of the UK, whose decaying centres harbour hidden life. Like the remaining sapwood and thick outer bark, these sculptural forms become sites of
- [ABOUT](https://www.monicaperezvega.com/about/) - Monica's work explores ideas of uncertainty and adaptation, and her imagined landscapes sit between nostalgia and unease. Originally from California, she has lived in Montreal, Amsterdam, London and Birmingham, UK. Her memories of home are warped by a changing landscape, and experiences of continually starting over have led to a practice which investigates cycles of
- [Cookie Policy](https://www.monicaperezvega.com/cookie-policy/) - This page provides comprehensive information about how we use cookies on our website to enhance your browsing experience, improve website performance, and deliver personalized content. Cookies are small text files that are stored on your device when you visit our site. They help us understand how visitors interact with our website, allowing us to offer
- [Displaced](https://www.monicaperezvega.com/i-no-longer-know-this-land/)
- [Disrupted](https://www.monicaperezvega.com/disrupted/) - Tree stumps are headless figures and embodiments of disruption. Truncated and hollowed trees are relics of ruin but also places of protection. They are sculptural sites of regeneration and bearers of hidden life. The tree stump is a motif that acts as a vessel to not only play with material and gesture, but to also tell
- [NCCU Redesign with CUH Arts](https://www.monicaperezvega.com/nccu-redesign-with-cuh-arts/) - Neurological Critical Care Unit redesign at Addenbrooke's Hospital in Cambridge, commissioned by CUH Arts. 2025 The brief for this commission was based on creative consultations with staff, patients and their families facilitated by artist Hannah Jane Walker, exploring how they would want the NCCU to feel and what would be needed from the artwork. The
- [PRIVACY POLICY](https://www.monicaperezvega.com/privacy-policy/) - My website address is: https://www.monicaperezvega.com. This site uses functional cookies and external scripts to improve your experience. Which cookies and scripts are used and how they impact your visit is specified in privacy settings. You may change your settings at any time. Your choices will not impact your visit. NOTE: These settings will only apply to
- [WORKSHOPS](https://www.monicaperezvega.com/workshops/) - I have over 15 years experience teaching art to all ages. I have taught in California, the Netherlands and the UK. I am available to facilitate workshops in schools and corporate settings. Whether it's for team-building, creativity training or in response to your curriculum, I am happy to design a workshop to suit all ages,
- [](https://www.monicaperezvega.com/dycp/) - Using the Woodland Trust Ancient Tree inventory as a guide, I will be spending the following year investigating trees of significance around the UK as inspiration in my work and to inspire a curiosity in these trees with others. Simultaneously, I'll be looking at ways to 'green my practice' by learning how to make my
- [Re-assembled](https://www.monicaperezvega.com/re-assembled/) - Assemblages of found and reclaimed material. RE-ASSEMBLED BARK PAINTINGS Abstract mixed media assemblages made from reclaimed material such as former paintings and other remnants of making. Tree bark is of course the protective outer layer of dead tissue and peeling way this excess bark reveals new, vulnerable growth. The eyelets reference transience, mobility and adaptation.
- [Pocket Thicket](https://www.monicaperezvega.com/pocket-thicket/) - Exhibition by Sylwia Narbutt & Monica Perez Vega Brixton Beneficiary: ASC Project Space 7-19 Oct by arrangement PV 6 Oct, 6-9 pm British painter, Paul Nash believed certain landscapes held an inherent quality, known as Genius loci or Spirit of Place, and he was interested in concealed sites of ancient intervention. It became the core
- [CONTACT](https://www.monicaperezvega.com/contact/) - Subscribe to my newsletter * indicates required Email Address *
- [Wild Grapes: A Group Exhibition](https://www.monicaperezvega.com/wild-grapes/) - For all inquires, feel free to contact me.
- [PROJECTS](https://www.monicaperezvega.com/projects/) - Weary Harold Installation view
- [Lands](https://www.monicaperezvega.com/lands/) - Skies and trees are ongoing themes in my work. Skies are about transience while trees tell a story of steady resilience. Tree stumps are headless figures; embodiments of disruption, but also places where life quietly thrives. Trees elicit memories of home, as well as an aspiration towards rootedness.
- [MAKE A SCENE STAMP KITS](https://www.monicaperezvega.com/make-a-scene-stamp-kits/) - Contact me for all inquiries. Cover image by Luciana Blair Photography
- [Slade Degree Show](https://www.monicaperezvega.com/slade-degree-show/)

## SimpLy Galleries

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