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MFA Degree Show

MFA Degree Show 2019

Slade School of Fine Art, UCL

Photo cred Paolina Varbichkova

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Liquitex White Walls Collaboration

My intention with this mural was to create a wall that changes each day; to be always on the verge of becoming something else. I am interested in the blending of natural and “unnatural” space and capturing that which is on the verge of renewal. I knew I wanted to incorporate paper forms that would interact with the mural. Whether the forms were attached to the wall or free-standing in the space, they would inevitably create a depth, in which one would have to walk around to take in the full and various perspectives.

I began with the idea that the back sides of the paper forms would be painted and the fronts would be white and I would play with “positive and negative” with the blurring of natural and illusory space. However, I was also wary of making too many rules on myself as then I become restricted, so it was important to allow drips, mistakes and incident- it is always about dealing with the unexpected and finding new paths and connections. With this reminder, I became very relaxed with ripping and cutting into the paper forms and collaging the scraps elsewhere. There almost always comes a point in my process where I am scared I’ve lost it and won’t find my way out. (I’m always finding analogies with life…) But this anxiety feeds my process and pushes me to find resolutions. In the end, I’m quite happy with my mural. I was consistent with my brainstorms and initial idea whilst allowing freedom in change and incident.

I enjoy where the mural interacts with my colleagues’ (Jack Sutherland and Araminta Blue) and where it begins to collide with the floor- as it reiterates Jean Arp and Kurt Schwitter’s concepts of art merging with life and environment.

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TFAC Residency at Griffin Gallery

During the Easter break, I did a two week residency at Griffin Gallery located in the ColArt headquarters in London.  The Fine Art Collective (TFAC) is home to a collective of art material brands such as Windsor & Newton and Liquitex and it was fun to see chemists at work while I painted with their creations. This residency offered a platform to explore materials. I delved into ink, acrylics and really became interested in working with paper- pushing the material to the brink of it capabilities by warping, painting, constructing and deconstructing. I was quite satisfied with the results and realized that giving myself boundaries is useful in my work. With the time limitation of two weeks and limiting my materials to paper, acrylic and ink- it gave me a structure which guided my process. Because I tend to incorporate so many different elements- it was actually quite satisfying to realize how much I can do with acrylic media and that it can be a means to an end. This first year of my mfa I’ve been so eager to try everything, that it was sort of a relief to simplify my materials.

Speaking of simplifying- probably the most exciting discovery was warping one large sheet of arches watercolour paper. I almost felt guilty to do such a simple thing with an expensive piece of paper- but in the end- the simple act of curling it was the most exciting thing. I am really intrigued with its form and rigidity, I hope to do more with paper in that way. Overall, it was a great experience which gives the freedom to explore materials without the pressure of resolving anything or worrying about the idea of preciousness in a piece.

Here are a few highlights from my residency: